80
Political intrigues, potential murder plots – oh, and Putin’s rise-to-power and consequent 18-year-reign – Gibney serves it up, warts and all.
What are people saying?
What are critics saying?
83
This is a study of power, and what power will do to survive; a study of how morality is more historically significant as a condition, and not a cause. The rich won’t save us — that’s what makes them rich. The fascinating Citizen K will leave you to determine the value in one of them saving themselves.
80
The Hollywood Reporter by David Rooney
While there are a lot of names, facts and intriguing assertions to absorb here, Gibney and editor Michael Palmer weave the dense narrative into a brisk, gripping and fascinatingly detailed thriller, enhanced by Robert Logan and Ivor Guest's suspenseful score.
80
Screen Daily by Fionnuala Halligan
Gibney’s story is clearly told and wholly engrossing.
80
Authoritative and dense — though never dull — at over two hours, Citizen K is the prolific docmaker’s most rewarding feature in several years, attaching his typically methodical research to a cheerfully slippery, charismatic human subject who, even on the side of right, is cagey in the face of investigation.
70
Wall Street Journal by John Anderson
As constructed, Citizen K serves as a briskly paced primer into all things Putin, Russian and, incidentally, Khodorkovskian.
80
Los Angeles Times by Kenneth Turan
Citizen K uses Khodorkovsky’s story as a way to guide us through the thickets of modern Russian history, a tangled, through-the-looking-glass world that the film surveys from the days of Boris Yeltsin in 1991 to today’s increasingly autocratic reign of Vladimir Putin
80
The Guardian by Peter Bradshaw
[Gibney's] film does present Khodorkovsky in context in a way that I haven’t seen before. He was the oligarch smart enough – and ruthless enough – to do as well or better than anyone in the Yeltsin/Putin free-for-all years, and then his smartness and ruthlessness perhaps gave him a perspective on it all.
75
It’s an authoritative take on “How we got here.” And it’s a lot to take in, almost too much at times. But Citizen K serves up these insights — from an admittedly tarnished “hero” who has used his exile to attempt to induce change — in Gibney’s usual arresting style. We’re meant to be appalled, edified and forewarned.
82
It’s an undeniably informative and vital documentary, which clearly illustrates a disturbing political farce that has been allowed to thrive for far too long. Which is to say, at all. Where Citizen K falls short is its depiction of Khodorkovsky, whose early indiscretions are breezed over as quickly as possible in order to get to his redemption.