[A] leaden thriller.
What are people saying?
What are critics saying?
The Film Stage by Christopher Schobert
The reason to see Siberia is, quite simply, the presence of Keanu Reeves.
Film Journal International by Daniel Eagan
Director Matthew Ross does the near-impossible in Siberia: He turns a Keanu Reeves vehicle about sex, diamonds and the Russian mob into a dreary, endless slog.
The result is a dull and deeply compromised movie that would rather be a mediocre crime saga than a nuanced character study, but can’t quite bring itself to commit to that choice.
The film has the tone and look of a direct-to-video feature, and some shots of Keanu Reeves are so waxen that the actor almost looks rotoscoped.
ReelViews by James Berardinelli
Siberia is effectively well-paced, offers instances of tension, and doesn’t cheat at the end.
Los Angeles Times by Kenneth Turan
Despite its pro-forma nature, the setup for Siberia — a lone hero in over his head in an unfamiliar world — actually starts out well but refuses to play out in satisfying ways.
Village Voice by Kristen Yoonsoo Kim
This movie so badly wants to be a sexy thriller, but it is neither sexy nor thrilling.
Everything is tenuous, including a performance by Keanu Reeves that borders on catatonia. Just because he stopped shaving doesn’t mean he can suddenly act.
Siberia slogs along like the failed pilot for a poorly-thought out cable series, one with Eastern European development incentives but without enough drama, incident, intrigue or plot to justify its running time.