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Antibirth

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Canada, United States · 2016
1h 34m
Director Danny Perez
Starring Natasha Lyonne, Chloë Sevigny, Meg Tilly, Mark Webber
Genre Drama, Horror

In a desolate community full of drug-addled Marines and rumors of kidnapping, a wild-eyed stoner named Lou wakes up after a crazy night of partying with symptoms of a strange illness and recurring visions. As she struggles to get a grip on reality, the stories of a government conspiracy spread.

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What are people saying?

What are critics saying?

50

Slant Magazine by

It’s unfortunate that the only part of the film that works does so by taking the wind out of the rest of it.

42

The A.V. Club by Alex McCown

Thankfully, what it does have is Natasha Lyonne, who almost singlehandedly keeps this misconceived endeavor afloat, or at least not actively unwatchable.

50

The Film Stage by John Fink

Despite being energetic even if it wears out its welcome and fascinating even as it frustrates, it never quite commits to a tone in true punk rock spirit.

60

The Guardian by Jordan Hoffman

Perez’ style is like a less-serious David Lynch, which is a nice comparison for a first-timer. Not all of his scenes nail that eerie surrealism, but he’s got a knack for a well-placed prop and the right timing for a dopey gag to come in and pop the balloon of suspense.

20

The New York Times by Ken Jaworowski

In his director’s statement, Mr. Perez, who also wrote the script, says he sought to fashion a story “that would confuse and bludgeon the audience.” My comrade and I will sip, silently nod and, with a strange kind of awe, agree: This filmmaker succeeded.

80

Screen Daily by Kim Newman

Antibirth is intentionally ramshackle and hallucinatory as storytelling, seen through the viewpoint of characters who are mostly too stoned to concentrate – but it’s also highly crafted and unsettling.

25

Consequence of Sound by Michael Roffman

Which is why Antibirth feels more like an anti-film, a piss-poor assembly of remarkable cult actors and brazen narratives that start off divorced without ever being married.

80

Los Angeles Times by Noel Murray

Had the movie been just a little more thought through, it could have been a new classic. Antibirth is still quite good, though, with memorably surreal imagery and an abrasive texture that enhances Perez’s overall vision. As a portrait of a middle America full of forgotten people and ruined civilizations, this is one of the year’s scariest movies.

88

RogerEbert.com by Simon Abrams

Antibirth is novel, mysterious, and sometimes even dangerous enough to suck you in if you surrender to its confrontational, avant garde style.

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