More whimsical than gloomy, for all the horrors it alludes to or depicts.
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What are people saying?
What are critics saying?
The New York Times by Dana Stevens
Is, in the end, a boisterous love song -- a funny valentine to London, to chaos and to human decency.
Portland Oregonian by Diana Abu-Jaber
If dissonance is your dish, you'll find Beautiful People tempting indeed.
Dizdar maintains a knife-edged balance in tone throughout the film
Dallas Observer by Gregory Weinkauf
Deftly delivered and free of gratuitous gloss, yet enormously rich in its unassuming manner.
It's a spirited and essentially optimistic film, but it's also simplistic.
TV Guide Magazine by Maitland McDonagh
Equal parts soap drama and ham-fisted morality tale.
Rolling Stone by Peter Travers
Fierce, funny and vividly moving.
Miami Herald by Rene Rodriguez
Often grim, but never nihilistic: Even at its darkest, Dizdar gives the movie an optimistic bounce. The movie is often shockingly funny, too.
Chicago Sun-Times by Roger Ebert
It is fairly lighthearted, under the circumstances; like "Catch-22," it enjoys the paradoxes that occur when you try to apply logic to war.