Distant Voices, Still Lives

The New York Times by

One of those dimly realized personal statements that ultimately says a lot less than the written program notes that accompany it.

The Guardian by Andrew Pulver

Few British film-makers have dared to attempt such a thoroughly poetic treatment of their native land, and Terence Davies is the only one to have succeeded so spectacularly.

Time Out London by Dave Calhoun

It’s a heartbreaking work. Its cast are phenomenal; its songs flow through the film like blood; and Davies is unflinching in his hunt for truth and full of nothing but love and understanding for his characters. A masterpiece.

Chicago Tribune by Dave Kehr

A gripping and original piece of work, itself sure to be remembered as one of the finest films of the year.

Empire by David Parkinson

Exposing the bleak reality of a supposedly more innocent time, this inspired blend of musical and melodrama succeeds in being both fond and forlorn, artistic and authentic.

Rolling Stone by Peter Travers

When a forty-four-year-old man makes a movie about his family and friends sitting around singing old tunes, you certainly don't expect an unforgettable amalgam of humor and heartbreak. But that is precisely what Terence Davies delivers.

The New Yorker by Richard Brody

With an unfailing eye for place, décor, costume, and gesture, the director glides his camera through tangles of memories to evoke joys and horrors with a similar sense of wonder.