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Underworld

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United States, United Kingdom, Germany · 2003
Rated R · 2h 2m
Director Len Wiseman
Starring Kate Beckinsale, Scott Speedman, Michael Sheen, Shane Brolly
Genre Fantasy, Action, Thriller

Vampires and werewolves have waged a nocturnal war against each other for centuries. But all bets are off when a female vampire warrior named Selene, who's famous for her strength and werewolf-hunting prowess, becomes smitten with a peace-loving male werewolf, Michael, who wants to end the war.

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What are critics saying?

20

Village Voice by

Speedman's such a nonentity here I worried that the theater air-conditioning would blow him off the screen.

60

Salon by Andrew O'Hehir

The funny thing about all this is that a half-hour into Underworld I couldn't wait for it to be over. When it really was over, I couldn't wait for the next installment. Go figure.

40

L.A. Weekly by Chuck Wilson

Beautiful in its dark, contrasting blues and blacks, Underworld is nonetheless a remarkably humorless movie, and not even the adroitly hammy Bill Nighy, as the vampire king, can leaven the overwrought seriousness of it all.

25

USA Today by Claudia Puig

Neither side is worth rooting for in this ridiculous blood feud, which features some of the year's most laughable dialogue.

75

Christian Science Monitor by David Sterritt

At heart, this is an old-fashioned monster flick decked out with Hollywood's full battery of high-tech visual effects. It's as goofy as it is gory -- stay away if you don't like in-your-face mayhem.

60

Dallas Observer by Gregory Weinkauf

Visually it's wild fun, since fledgling feature director Len Wiseman started off in production design, and creature designer Patrick Tatopoulos's diverse credits span from "Godzilla" to "Stuart Little." Yet with Underworld's guilty pleasures come copious clinkers, from its nuts-and-bolts narrative foundation to Wiseman's inability to direct actors beyond cartoonish interaction.

50

Los Angeles Times by Manohla Dargis

Alas, as is often the case with lower-end genre movies, the story cooked up by Wiseman and his friends, actor Kevin Grevioux and the film's screenwriter, Danny McBride, is decidedly less important than the look of the film and its influences.

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