The Hollywood Reporter by Boyd van Hoeij
In terms of its overall look, Cinderella the Cat blends blocky, videogame-like 3D/CGI animation and voluptuous, watercolor-like 2D animation. It shouldn't work, yet it does create a coherent universe.
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Italy · 2017
1h 26m
Director Alessandro Rak, Ivan Cappiello, Marino Guarnieri, Dario Sansone
Starring Massimiliano Gallo, Maria Pia Calzone, Alessandro Gassmann, Daniele Bigliardo
Genre Animation, Crime, Thriller
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Cenerentola struggles to escape the shadow and evil schemes of her stepmother and six stepsisters who all live aboard the Megaride, a ship stuck in the port of a decaying future Naples.
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The Hollywood Reporter by Boyd van Hoeij
In terms of its overall look, Cinderella the Cat blends blocky, videogame-like 3D/CGI animation and voluptuous, watercolor-like 2D animation. It shouldn't work, yet it does create a coherent universe.
Los Angeles Times by Charles Solomon
The filmmakers seem to have been trying for the kind of animated film noir that has been done so skillfully in Japan, but Cinderella the Cat never approaches that level level.
The film plays on a number of clever riffs on the Cinderella tale, all in the darkest of veins, from the sadism of Mia’s step-siblings to Salvatore’s drug empire built on shoes made from soluble cocaine.
Screen International by Lee Marshall
Gatta Cenerentola is on one level a noirish spin on a popular fable, but its real resonance derives from its stimulating contribution to a long-running dialogue...about the good creative and evil destructive demons that pull southern Italy’s largest city alternately towards hope and despair.
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