Cue ultraviolence, gang stereotypes, and a bucketload of plots that never really go anywhere.
What are people saying?
What are critics saying?
Los Angeles Times by Charles Solomon
MFKZ is obviously modeled on Katsuhiro Ôtomo’s “Akira” and Taiyô Matsumoto’s “Tekkonkinkreet,” but it lacks the gritty brilliance of the former and the underdog poignancy of the latter.
If you’re looking for world building, you’re come to the right place. Yet its architects prove keener to flytip this secondhand imagery than they are to sort through it.
Screen International by Sarah Ward
Distinctive 2D animation mixes graffiti-strewn, street-level realism with playful stylisation...for an aesthetically striking, instantly immersive and highly memorable end result.
Paste Magazine by Toussaint Egan
While it flares up before fizzling out in its final moments, the view is admittedly entertaining and worth witnessing if only to relish in the thrill of its visual excess.