The Almond and the Seahorse

The New York Times by Amy Nicholson

Only when Sarah and Toni meet for the first time, an hour in, does the film allow a genuine conversation — and, gratefully, a moment of recognition.

TheWrap by Lena Wilson

Too self-serious to be comical and too strange to be earnest, The Almond and the Seahorse traps viewers in a purgatory where every occurrence feels equally cumbersome and meaningless.

We Got This Covered by Martin Carr

With some solid turns from Rebel Wilson and Charlotte Gainsbourg, The Almond and the Seahorse explores the idea of living with long term brain trauma.

Los Angeles Times by Michael Ordona

The cast is game. Unfortunately, what should be gut punches feel like glancing blows.