83
In essence, Vengeance is an action romance, but what ultimately sets it apart––aside from the brilliant tonal shift and stellar character work––is the very Indonesian context Edwin thrusts into the story.
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58
Edwin declines to make a choice between idiosyncrasy and action, and his work winds up feeling like a loosely related assembly of material instead of a finished film.
80
An adrenaline-pumping action fest that is ironic in many respects, Vengeance Is Mine, All Others Pay Cash swerves towards the mystical and the spiritual in the latter half, becoming a earnest and potent critique on the trappings of masculinity.
63
Edwin keeps the tone machismo-deflating and goofy, and the film on its feet between fights. Our leads have enough chemistry when they’re throwing down that their characters’ problematic love life together seems immaterial.