50
The New York Times by Ben Kenigsberg
The new movie is less cohesive than “Biggie and Tupac,” and Broomfield is not suited to documentaries with willing subjects.
What are people saying?
What are critics saying?
38
RogerEbert.com by Brian Tallerico
Last Man Standing is a startlingly scattershot piece of filmmaking from a director who normally has a sure, personal hand on his projects.
80
CineVue by Christopher Machell
Broomfield’s triumph is in reimagining Biggie and Tupac’s murders out of their mythology and into a new context in which they are emblematic of a social malaise characterised by toxic masculinity, misogyny, racism, and police corruption.
80
In Last Man Standing, Broomfield comes close to answering the questions — of guilt and recrimination — that have hung over these murders for too long.
80
The Guardian by Peter Bradshaw
Here it seems that Death Row Records was simply a criminal organisation, of which rap music was a byproduct. The talent it somehow nurtured in this way looks even more tragically fragile.