Ruben Brandt, Collector

Variety by Alissa Simon

While Krstić is especially good at providing noir atmosphere (jazzy, smoke-filled dives, ominous shadows, and references to Mike Hammer films), he positively excels at high-octane action.

The Hollywood Reporter by Boyd van Hoeij

Though not all the relationships are entirely clear — the thieves' relationship with Brandt, for example, remains somewhat vague — and there might be some minor issues that could become apparent on multiple viewings, this is first and foremost a rollicking and very imaginatively staged ride that’s enjoyable and different.

Los Angeles Times by Robert Abele

An acrobatic, larkish globetrotting adventure about paintings and psychotherapy that defies easy categorization save inclusion on any adult animation fan’s must-see list, its slinky, colorful pleasures and wittily referential joie de vivre are like a lifeline in a season when the art house is typically beholden to severe, award-seeking bids to depress you.

Screen International by Wendy Ide

This is a film which fizzes with originality, one which works both as a pacey thriller and a playfully surreal intellectual exercise.