Woman at War(Kona fer í stríð)

The Globe and Mail (Toronto) by Brad Wheeler

Filmmaker Erlingsson has an eye for detail, a flair for the absurd – a sousaphone-based trio pops up here and there – and a deft touch with social commentary and political satire.

Variety by Jay Weissberg

Erlingsson’s genius lies in how he puts it all together with such witty intelligence, arranging beautifully shot picaresque episodes around a central figure who lives the ideals of the heroes she has hanging on her wall, Mahatma Gandhi and Nelson Mandela.

The Hollywood Reporter by Jordan Mintzer

There are a few standout scenes in War's closing reels, as well as a few cleverly executed twists, yet Erlingsson doesn't let them undercut the movie's emotional sway.

The Playlist by Lena Wilson

As surely as a hiker extending her arms in the middle of an undulating lava field, Iceland has arrived, with a startling movie that’s every bit as idiosyncratic, homely, and dynamic as its country of origin.

The Guardian by Peter Bradshaw

It is an attractive and sympathetic performance from Geirharðsdóttir as Halla.

TheWrap by Steve Pond

Woman at War is a beautiful hoot.

Screen International by Wendy Ide

Carried by a magnetic performance from Halldóra Geirharðsdóttir in a dual role (she plays both Halla and her identical twin sister Asa), Benedikt Erlingsson’s enjoyable follow up to Of Horses And Men is elevated by wryly idiosyncratic flourishes in its execution.