Last Man Standing

The New York Times by Ben Kenigsberg

The new movie is less cohesive than “Biggie and Tupac,” and Broomfield is not suited to documentaries with willing subjects.

RogerEbert.com by Brian Tallerico

Last Man Standing is a startlingly scattershot piece of filmmaking from a director who normally has a sure, personal hand on his projects.

CineVue by Christopher Machell

Broomfield’s triumph is in reimagining Biggie and Tupac’s murders out of their mythology and into a new context in which they are emblematic of a social malaise characterised by toxic masculinity, misogyny, racism, and police corruption.

Variety by Owen Gleiberman

In Last Man Standing, Broomfield comes close to answering the questions — of guilt and recrimination — that have hung over these murders for too long.

The Guardian by Peter Bradshaw

Here it seems that Death Row Records was simply a criminal organisation, of which rap music was a byproduct. The talent it somehow nurtured in this way looks even more tragically fragile.