The New York Times by Ben Kenigsberg
Not all the misdirection is elegant, but the film’s tenderness flowers in a lovely, unexpected final shot.
✭ ✭ ✭ Read critic reviews
Chile · 2020
1h 31m
Director Gaspar Antillo
Starring Jorge Garcia, Millaray Lobos, Luis Gnecco, Alejandro Goic
Genre Drama
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Memo lives on a remote Chilean sheep farm, hiding a beautiful singing voice from the outside world. A recluse with a glittery flair, he can't stop dwelling on the past, but what will happen once someone finally listens?
The New York Times by Ben Kenigsberg
Not all the misdirection is elegant, but the film’s tenderness flowers in a lovely, unexpected final shot.
Despite a bumpy screenplay and some odd tonal choices, Garcia excels as a monosyllabic Bigfoot who casts a big shadow and uses it hide from the world.
Still best known as Hurley from “Lost,” Garcia quietly electrifies here in a role that feels like a breakout; for all the film’s superior craft and unsettling atmosphere-building, it is his sympathetic soulfulness that delivers the most resonant harmonics.
RogerEbert.com by Odie Henderson
Nobody Knows I’m Here wants to make a statement about the harsh price of fame and the awful, hurtful machinations that settle the bill. It just takes too long to get these ideas into the plot thanks to the clichéd handling of its protagonist’s dark past.
Writer director Gaspar Antillo peels the cover off this mystery with the patience of an art cinema veteran, limiting his dramatic “incidents” to amplify their impact.
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