Mirage(Durante la tormenta)

Cinelipsis by Federico Furzan

Barely surviving its absurd length, this movie feels like a ton of genres mixed into a clever idea that suffers but works.

Cinemanía by Janire Zurbano

Oriol Paulo succeeds in the emotional aspect, but slips in the thriller.

El Pais by Javier Ocaña

Oriol Paulo composes a commercial thriller of intrigue, of Hitchcockian airs, but that for his plot drinks of films of the contemporary cinema.

The Hollywood Reporter by Jonathan Holland

Mirage has a great deal of satisfying complexity but little depth, and its dazzling, intricate machinery is always visible. But it still makes for a fun ride on a highly calibrated roller coaster.

Decider by Kayla Cobb

A highly emotional drama, and Ugarte's performance more than delivers.

El Mundo by Luis Martínez

Beyond the exquisite labyrinth of lost looks, we can always be attentive Adriana Ugarte's work, who is always at the edge.