60
CineVue by Christopher Machell
With the imperfect but fascinating Endzeit, director Carolina Hellsgård ultimately guides her ravenous wanderers down an original and largely unbeaten track.
What are people saying?
What are critics saying?
75
The Film Stage by Jared Mobarak
What makes Ever After so intriguing is how Hellsgård and Vieweg put these familiar characters and ubiquitous premise into a mythology that’s wholly unique.
75
Film Threat by Nick Rocco Scalia
Hellsgård and writer Olivia Vieweg have crafted a morbidly beautiful, uniquely character-focused, and decidedly feminine take on familiar apocalyptic tropes, and while it doesn’t always entirely deliver on a narrative or visceral level, Endzeit – Ever After emotional resonance – and the singularity of its worldview – is undeniable.
70
The Hollywood Reporter by Stephen Dalton
The splatter violence is fairly tame by modern gore standards, and the episodic narrative sags in places, but the ecological subtext and feminist folk-horror elements make this almost entirely female-driven road movie an agreeably fresh addition to the zombie canon.