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Eva begins as hot buttered nonsense of the least resistible variety before, echoing the writer’s block that propels its daft narrative, it runs drily out of ideas.
Jacquot at his best is a master at teasing us with tantalising narrative mazes and false threads, but here we soon find ourselves losing interest in the riddle of where things are headed: the film takes what feels like a very circuitous route to a dead end.
Jacquot has a hard time turning all of this into palpable drama, and Eva slides off the rails during a denouement that goes full on B-movie without much credibility.
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IndieWire by David Ehrlich
The Film Stage by Ed Frankl
Variety by Guy Lodge
Screen International by Jonathan Romney
The Hollywood Reporter by Jordan Mintzer