Nobody's Hero(Viens je t'emmène)

The Film Stage by David Katz

To twist the common literary-critical saying, Nobody’s Hero is indeed three characters in search of a story, but not an author, whose conviction in his ideas and unique method of shaping a film still marks him as un vrai original.

Variety by Guy Lodge

Moonlighting as a broad bedroom farce, this heavily plotted but oddly low-energy film winds up too distracted and diluted to score as a vital political satire.

The Hollywood Reporter by Jordan Mintzer

The result is a somewhat uneasy mix of social critique and bizarre sex drama in which Guiraudie seems to be spitballing different ideas without making all of them stick.

IndieWire by Nicholas Barber

It feels as if Guiraudie had two separate ideas for a contemporary urban comedy but couldn’t figure out how to develop either of them, so he stuck them in one script and hoped for the best.

The Guardian by Peter Bradshaw

The film stands or falls by its claims to deadpan comedy – but this is heavy-handed and unsatisfying.

Screen Daily by Wendy Ide

It’s a bedroom farce with Jihadist jokes; a film which attempts to skewer the preconceptions harboured about its marginalised characters without allowing those characters the leeway to emerge from the margins as fully rounded individuals.