Sequin in a Blue Room

The Hollywood Reporter by Harry Windsor

Sequin in a Blue Room feels very much of the moment, but it’s upholstered by an impressive command of good old-fashioned craft.

Variety by Peter Debruge

Van Grinsven is conscious of consequences, but more interested in exploring the newfound freedoms that technology offers queer self-discovery.

RogerEbert.com by Peter Sobczynski

Those who are willing to give it a chance—and that would include thoughtful teenagers who would respond to a film that approaches their lives in a serious and reasonably non-judgmental manner—are likely to find it as fascinating as I did.

The Guardian by Phuong Le

That Sequin in a Blue Room was director Samuel van Grinsven’s graduate project is astonishing considering the film’s inspired visual panache, and the eroticism of the explicit depictions of casual sex. Leach’s performance in his first film acting credit is equally impressive; the way in which Sequin’s swagger gradually drains from his face to expose an inner vulnerability is incredibly moving.

The Observer (UK) by Wendy Ide

This feature debut from the Sydney-based writer and director Samuel Van Grinsven may tackle familiar material – gay coming-of-age stories are hardly uncommon – but it does so with a lustre and style that marks Van Grinsven out as a name to watch. Perhaps even more notable is Leach, a silky, feline presence who owns every moment that he’s on screen.