Khan’s script is one of competency rather than creativity: a sound structure, a propulsive pace and a learned awareness of genre conventions but dialogue that often feels a little first draft, a little placeholder-heavy, zingers not really zinging quite as they should.
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What are critics saying?
Everything about this one is lovely and magical, but it’s also deeply heartfelt.
The Playlist by Marya E. Gates
Wearing its influences on its sleeve, the rom-com aims to show where arranged marriage traditions and modern dating habits can fit in a multicultural modern Britain. Unfortunately, it can’t shake the screenwriter’s white gaze.
The Hollywood Reporter by Michael Rechtshaffen
What’s Love Got To Do With It? serves as a master class in how to adhere faithfully to the classic romantic-comedy template and yet still emerge with something that delivers delightfully on both sides of the hyphen.
The film’s authenticity comes not so much from the parties and celebration, and certainly not from the documentary device, but from the emotional connection between Kaz and Zoe; the way he leans slightly towards her as he translates the words of a traditional love song, the brief loaded pause when their eyes lock.