CineVue by Christopher Machell
Subsumed by the bigger picture, the plot resurfaces at the end to utterly devastating effect. Only a film with the epic sweep of So Long, My Son could pull off such a narrative feat so beautifully.
✭ ✭ ✭ ✭ Read critic reviews
China · 2019
3h 5m
Director Wang Xiaoshuai
Starring Wang Jingchun, Yong Mei, Qi Xi, Du Jiang
Genre Drama
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Two families do their best to navigate the sweeping changes in Chinese society from the 1980s to the present day in this multi-generational drama. A powerful portrait of the ways that momentous political and economic events can shape the lives of individuals in all their fragility and resilience.
CineVue by Christopher Machell
Subsumed by the bigger picture, the plot resurfaces at the end to utterly devastating effect. Only a film with the epic sweep of So Long, My Son could pull off such a narrative feat so beautifully.
The Hollywood Reporter by Deborah Young
A long, leisurely drama directed with self-assurance.
Beautifully played — especially by Wang Jingchun — So Long, My Son is sprawling, audacious, sometimes bewildering, ultimately moving. It tests your patience but it’s worth it.
Utterly wrenching.
Screen Daily by Jonathan Romney
A challenging narrative structure - withholding key information and skipping between several time frames - makes this film a daunting watch overall. But Wang’s ambition and seriousness, aided by strong ensemble performances, ensure it is a formidable and, for the most part, involving work of novelistic scope.
At just over three-hours, So Long, My Son is an emotionally wrenching film that’s epic in scope but intimate in feeling.
The Guardian by Peter Bradshaw
So Long, My Son is a piercingly, profoundly moving picture that peels and exposes the senses.
It’s Lee Chatametikool’s temporal-jumping edits that define this compelling drama.
The Observer (UK) by Wendy Ide
So measured is the pacing, so sinuous the timeline, so understated the subtle ache of the performances that you don’t immediately realise that Wang Xiaoshuai’s exquisite three-hour drama has been performing the emotional equivalent of open-heart surgery on the audience since pretty much the first scene.
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