Juggernaut

The Globe and Mail (Toronto) by Barry Hertz

There are some small-time twists in this small-time thriller and, naturally, McHattie does solid work as one of the more slippery characters Saxon encounters in his quest for justice, but DiMarco just can't sustain enough tension or drama to power the film through a plodding 105 minutes.

Variety by Dennis Harvey

Even if the ending falls something short of memorable, Juggernaut still holds attention as a strong, well-acted effort that effectively walks the line between dysfunctional family drama and revenge thriller.

The Hollywood Reporter by Frank Scheck

Juggernaut accumulates an undeniable raw power thanks to such elements as its bleak setting, evocatively captured in Patrick Scola's dark-hued cinematography; the jittery, strings and percussion-heavy musical score by Michelle Osis; and the excellent performances.

Los Angeles Times by Noel Murray

DiMarco's noir-inflected family drama is confident and mature, but less involving than it could be, because the filmmaker and his star make their anti-hero stubbornly unappealing.