Don't Make Me Go is at its strongest when Cho and Isaac are onscreen together, reflecting back the kind of tense, but loving, father-daughter dynamic which is so lovingly familiar and relatable to many of us.
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Paste Magazine by Jesse Hassenger
Even some of its rawest emotional moments feel studiously cribbed from other movies, which is probably why not a single thing any character does throughout Don’t Make Me Go is genuinely surprising or even slightly unexpected. It’s a movie about the unpredictability and inherent dangers of a life well-lived, and you can set a watch to its screenwriting beats.
Don’t Make Me Go is a sweet, charming, and eventually daring dramedy with tons of heart.
The Film Stage by Michael Frank
Cho, Isaac, and a cameo from Jemaine Clement become bright spots in a film trying too hard to buck trends of other road-trip journeys while ultimately falling into similar traps. Life lessons and karaoke songs go to waste with the talent of a cast too good for this story.
The movie’s ending is misguided to the point of being perplexing rather than upsetting, recasting everything that came before it in a less favorable light. That’s a shame, as this father-daughter drama starring John Cho has more than its fair share of touching moments before hitting the roadblock that is its questionable third act.