75
The Playlist by Chris Barsanti
Maybe Marcos imagined this documentary would humanize her. Greenfield did. But not in the way that her subject would have preferred.
What are people saying?
What are critics saying?
63
Slant Magazine by Christopher Gray
The film confirms that the ruthless knack of the wealthy and powerful to remain so is a universal impulse.
80
Though Greenfield is too skilled to overplay her intentions, the picture that emerges gains additional power from its clarifying distance. The Kingmaker is required viewing for anyone concerned about the direction of their own democracy.
75
The Kingmaker clarifies the harrowing situation facing the future of the Philippines, but more than that, it’s a warning sign for the entire world.
80
Los Angeles Times by Justin Chang
The Kingmaker may end on a queasy note of alarm about the Philippines’ future, but it also reminds us that we neglect the past at our peril.
67
The A.V. Club by Lawrence Garcia
While researching the project, Greenfield herself thought she might find a “redemption story.” But the film eventually proves to be a far more troubling examination of the Marcoses’ continued political hold in the Philippines.
70
The New York Times by Manohla Dargis
It’s an ugly story shrewdly told, with a sense of humor and also a deeper feeling for history.
90
Marcos’ print-the-legend philosophy has particular resonance in a post-truth world, although such sinister undertones sneak up on audiences in a movie that begins, innocently enough, as the latest of Greenfield’s astonishing portraits of wealth run amok.
80
An enraging portrait of entitlement, opulence and corruption, The Kingmaker starts as a profile of Imelda Marcos but soon widens its perspective to depict a Philippines in peril.
70
The Hollywood Reporter by Todd McCarthy
An engaging, appalling but inevitably partial portrait of a woman who has navigated through countless political and personal squalls but remains irretrievably drawn to the flame of power.