The film tells a story of a divorced couple trying to raise their young son. The story follows the boy for twelve years, from first grade at age 6 through 12th grade at age 17-18, and examines his relationship with his parents as he grows.
With Boyhood, Linklater has created an uncanny time capsule, inviting auds to relive their own upbringing through a series of artificial memories pressed like flowers between the pages of a family photo album.
It’s an astonishing achievement. Linklater and his cast, who helped refine the director’s script, perfectly execute how long it takes us to become the lead characters in our own lives, and how fumblingly the role is first assumed.
Warm, soulful, funny and quietly insightful, Boyhood shines in its engrossing, experiential understanding and it’s a special achievement that should be cherished and acknowledged.
It's the selective but cumulative use of seemingly arbitrary but significant experiences that gives Boyhood its distinctive character and impressive weight.
Like the best of fiction, it conveys greater truth about coming to terms with the world at large, and regardless of whether each individual scene is ultimately justified in its inclusion, the cumulative impact of seeing something resembling a life unfold over a mere two hours and forty minutes is overwhelming.
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