When Jalila's husband marries a second woman, Jalila and her daughter's world is shattered and the women are torn between their commitment to the patriarchal rules and being true to themselves.
Elite Zexer weaves an impressively terse narrative of distinctly motivated characters, but the film’s core remains somewhat shapeless due to the routine dramatization.
The director juggles different points of view with aplomb, and her strong script addresses with impressive subtlety the gap between what people say and what they do under extreme pressure.
It’s a fairly familiar critique of patriarchy from a humanist and feminist perspective, but one put across with some very impressive filmmaking skills by a first-time director.
As a director, Ms. Zexer has a fine eye for the texture of daily life, which she fills in with resonant physical details and sweeping, scene-setting views.
Though its verité aesthetics are often more serviceable than inspired, and its vague who-what-where-when-why set-up neuters some of its lingering impact, the film’s depiction of entrenched prejudice remains astutely realized.
WHAT ARE PEOPLE SAYING?
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WHAT ARE CRITICS SAYING?
New York Magazine (Vulture) by Bilge Ebiri
Slant Magazine by Clayton Dillard
The Film Stage by Daniel Schindel
Screen International by David D'Arcy
Variety by Ella Taylor
IndieWire by Eric Kohn
RogerEbert.com by Godfrey Cheshire
The New York Times by Manohla Dargis
The Playlist by Nick Schager
The Hollywood Reporter by Todd McCarthy