Voices overcome some used story conventions to give it a very specific charm of its own.
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What are people saying?
What are critics saying?
The New York Times by Dave Kehr
This tiny film is heartfelt, well made and worthy of attention.
L.A. Weekly by Hazel-Dawn Dumpert
Ultimately, however, a too-earnest script that pins the future of this community on a school-district singing contest, undercuts the film's natural performances and its sedate, contemplative pacing.
The Globe and Mail (Toronto) by Jennie Punter
Features an excellent cast, in particular the child actors. These elements, as well as the director's light unsentimental touch, make the struggles and triumphs in Small Voices ring truthful.
Los Angeles Times by Kevin Thomas
A leisurely, understated film reminiscent of any number of Japanese counterparts featuring quietly heroic rural teachers. It is easy to label the film as slow, old-fashioned and sentimental, which it certainly is, but it has the tenacity of its heroine, the pretty and intelligent Melinda (Alessandra de Rossi).
TV Guide Magazine by Maitland McDonagh
The end is hardly in doubt, since this sweet-natured film treads a path worn smooth and hard by countless other tiny feet. Its message is as unimpeachable as it is familiar, differentiated from countless similar tales only by the Filipino setting.
Despite its affinity for whimsy over realism, Small Voices effectively captures the embittered desperation and ragged dedication of its exploited teachers.
Latest pic directed by Gil M. Portes, could be called "To Madam With Love"; vet Filipino helmer is out to open maximum tear ducts with sentimental tale.
There's not much new in this Filipino film by longtime director Gil M. Portes. But it's so endearing that only a grouch wouldn't be charmed.