Apted has honed his skills over the years, becoming less presumptive and more content to let narratives unfold naturally. And, of course, the unprecedentedly long relationship between the maker and his subjects has led to more give and take between them.
What are people saying?
What are critics saying?
If this is the final chapter, as Apted suggests it could be, it’s a worthy cap to one of the boldest experiments in world cinema.
People change, some more than others, but 63 Up is so beautiful and bittersweet for how it finds them becoming who they are. Hopefully many of them live to enjoy it, and this series continues for a couple more decades to come.
The Hollywood Reporter by John DeFore
The film (which isn't a good place to start, for those new to Up) is far from a downer; it suggests that the next installment (and hopefully a couple after that) will have the feel of warm, sometimes bittersweet family reunions.
The Up series feels like the last of its kind and should be treasured as such.
Los Angeles Times by Kenneth Turan
While some individuals are inevitably more compelling than others, as a whole the entire series, and 63 Up in particular, is completely enveloping as it draws us into the latest happenings of these people we’ve followed for so long.
The New York Times by Manohla Dargis
There’s great pleasure in revisiting this series, seeing who turned out just fine and sometimes better than you might have expected or hoped.
RogerEbert.com by Matt Zoller Seitz
I didn't come out of this one feeling depressed or even particularly sad, more reflective. The sheer breadth and depth of this series creates its own sort of poetry, one that's strangely indistinguishable from journalism.
If, for whatever reason, 63 UP were the last, it would be a perfectly satisfying summing-up of what’s proven to be the surest motive for any of its participants to keep filling us in on their personal lives, issues of class and destiny be damned — they did it because time, love, and just enough fortune allowed it.