A largely dour romantic drama, hampered by thrusting non-actors into challenging lead roles.
What are people saying?
What are critics saying?
40
40
The Guardian by Peter Bradshaw
Frankly, the performances and line-readings are uneven. The couple's journey through night-time London is interesting: both have a painful past that they are at first reluctant to discuss, especially Maya, but these disclosures are not dramatically developed in any really satisfying way.
80
Writer/director Christopher Payne paints a credible portrait of life as a professional hoofer. But the leads struggle with an undernourished script, and there’s a cheapo televisual vibe throughout.
40
Time Out London by Tom Huddleston
This is tame, lifeless stuff.