80
Mondocane is the finest Italian post-apocalypse movie ever made.
What are people saying?
What are critics saying?
42
The Film Stage by Ethan Vestby
For what’s supposed to be a post-apocalyptic landscape, what you get seems more like an unremarkable city that a tourist’s European train-ride barrels through. If anything, something so wholly dependent on parts from the past to depict the future is the most dystopian prospect.
50
The New York Times by Jeannette Catsoulis
At its grungy heart, Alessandro Celli’s Mondocane is about the dissolution of a friendship. Yet this cynical, near-future crime thriller, with its Hunger Games morality and Mad Max aesthetic, is too busy glamorizing cruelty to allow its central relationship to resonate.
42
This Italian post-apocalyptic film from director Alessandro Celli angles for child soldier depravity without any of the heart.
50
Mondocane is a mixed bag, as its sci-fi without really committing to that, “Oliver Twist” without the warmth, entirely too predictable for stretches and entirely too frustrating in its finale.
50
Although the film takes place in a dystopian near future, the story rarely reveals any meaningful information about how society functions after an environmental collapse, or indeed portrays hardly any scene as though it could take place only within the confines of Mondocane.