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United Kingdom


2h 4m

Director Steve McQueen

Starring Letitia Wright, Shaun Parkes, Malachi Kirby, Rochenda Sandall

Genre Drama

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Steve McQueen's upcoming film, selected at the Cannes Film Festival 2020.


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TheWrap by Alonso Duralde

McQueen and co-writer Courttia Newland, working with a talented cast and crew, bring us in so close that we can smell the smoke and the sweat, and swoon over the sensuality of slow dancing.

Consequence of Sound by Clint Worthington

McQueen’s focus is on the community, not the individual; his focus is on the party as a whole and the optimism and community it engenders. Films about the unabashed celebration of Black joy and success are few and far between, which makes Lovers Rock all the more remarkable.

The Hollywood Reporter by David Rooney

Its untethered, ethereal flow is utterly intoxicating, an immersive experience shaped by the clouds of cigarette and reefer smoke in the air, the smell of goat curry wafting from the kitchen, and above all, the sinuous rhythms of the slow-groove romantic reggae subgenre that gives the film its title.

IndieWire by Eric Kohn

Even if Lovers Rock hovers somewhere between episode and movie on paper, it’s undoubtedly cinematic art, working small wonders with a sophisticated blend of minor-key storytelling and vibrant choreography that transforms the entire experience into a free-form musical.

Slashfilm by Hoai-Tran Bui

Clocking in at a little over an hour, Lovers Rock is naturally a little lean, limited by its one-night premise and its brief sojourn into these characters’ lives. But it’s a tone poem that feels at once a love letter to the style of reggae music which it’s named after, and to the people who danced and fell in love to that music in ’80s London.

Los Angeles Times by Justin Chang

It’s a delight to see the director cut loose, along with his gifted behind-the-scenes collaborators (including production designer Helen Scott and costume designer Jacqueline Durran) and his captivating stars.

Variety by Owen Gleiberman

Lovers Rock is nothing more (or less) than a snapshot of an era, a moment, a series of lives. Yet it lingers like a song you don’t want to get out of your head.

The Guardian by Peter Bradshaw

McQueen’s compositional sense is a marvel; the movie’s period and location is evoked with masterly skill, and the romance is wonderful. What a cure for lockdown depression.