50
The movie feels padded. And Hopkins's deft touch as a writer and director leaves him when it comes to casting.
What are people saying?
What are critics saying?
80
One of the sweetest comedies in a long time, which doesn't mean it's sugary or fey.
63
New York Post by Jonathan Foreman
Quirky and good-natured, it makes the most of an unknown but able and refreshingly international cast. And for a low-budget indie, it looks remarkably good and moves along with real snap.
60
Delightful mix of swinging '60s style, road movie conventions and age-old romantic comedy tropes that coasts along on little more than charm, and does it delightfully.
67
Austin Chronicle by Marjorie Baumgarten
The performances are extremely good, and the tone maintains a droll continuity throughout.
50
San Francisco Chronicle by Mick LaSalle
The story is fluff, but it's mostly appealing.
50
Entertainment Weekly by Owen Gleiberman
There's a certain breed of annoying indie movie in which a character's shyness is portrayed in a manner so coy that it becomes a reverse form of exhibitionism. Jump Tomorrow is that kind of movie.
75
Chicago Sun-Times by Roger Ebert
The plot unfolds with the gradual richness of something by Eric Rohmer, who has the whole canvas in view from the beginning but uncovers it a square inch at a time. By the end of Jump Tomorrow I was awfully fond of the picture.
75
Seattle Post-Intelligencer by Sean Axmaker
At times a bit stilted, a common quality of first-time directors who try too hard to sculpt every scene, but it's refreshingly bereft of slick cynicism and smart-ass snideness.