75
Lost and Delirious doesn't need metaphors for the power of strength and healing. All the passion and pain it needs glows ferociously in the eyes of its young women.
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What are people saying?
What are critics saying?
75
San Francisco Chronicle by Edward Guthmann
Pool captures the crazed urgency of first love -- the feeling of a passion so fierce that even a disapproving society can't crush it.
50
New Times (L.A.) by Gregory Weinkauf
The movie is beautiful to look at (lensed by Pierre Gill) as are the girls, but it takes its clunky message so seriously that it often verges on silliness.
63
New York Daily News by Jami Bernard
Sophisticated in that European way and predictable in that Hollywood way.
50
Los Angeles Times by Kevin Thomas
Will divide audiences between those whose hearts have been tugged into going along with the picture way past common sense and those who find it impossible to accept the film's credibility-defying developments.
50
Perabo gives a fairly impressive and flashy performance, even when the script descends into melodrama.
60
TV Guide Magazine by Maitland McDonagh
Piper Perabo is a revelation -- and Barton is maturing into a sensitive, subtle performer with a marvelously expressive face.
67
Entertainment Weekly by Owen Gleiberman
Evokes the intimacies of teenage girls with unusual delicacy, and Perabo's performance is a geyser of emotion.
42
Seattle Post-Intelligencer by Paula Nechak
It has a frenetic, unsettled edginess that chafes against its serene, woodsy, upscale private school setting.
88
Chicago Sun-Times by Roger Ebert
This is a movie for those who sometimes, in the stillness of the sleepless night, are so filled with hope and longing that they feel like -- well, like uttering wild goat cries to the moon. You know who you are.