70
For all the tense interpersonal conflicts and the inevitable, if thrilling, stormy-seas set piece, what proves most striking are the exactly rendered little moments.
What are people saying?
What are critics saying?
90
The New York Times by A.O. Scott
The most powerful thing about The Pirogue is the way it deals with emotionally charged events matter-of-factly, rather than melodramatically. The story Mr. Touré has chosen to tell is both painfully specific - about these individuals, in this boat - and immeasurably vast, since the experience it depicts is shared by millions of people around the world. And yet somehow he gets the scale just right.
38
Moussa Touré's worldview, like Ousmane Sembene's, is characterized by the feeling that, at the end of the day, some degree of loss or defeat is inevitable.
100
New York Daily News by Elizabeth Weitzman
Every moment feels human and true, from the naive optimism of the trip's sendoff to its unsparingly realistic conclusion, which trades reckless hope for quiet honor.
75
New York Post by Farran Smith Nehme
In the poignant, symmetrical end, Touré leaves the idea that the real yearning of these people is for a fair shake in their own home.
60
There's enough filmmaking talent evident throughout that you wish the journey were more satisfying overall.
70
The Pirogue spends only about an hour on open water, but that's enough to convey the risks that make the trip foolish, and the desperation that makes it inevitable.