The Cove is properly enchanting, horrifying, and rousing, but it comes dangerously close to making the narcissistic case that dolphins deserve to be saved because they're cute and breathe air like we do.
What are people saying?
What are critics saying?
What's so remarkable about Louie Psihoyos' documentary The Cove isn't just that it's a powerful work of agitprop that's going to have you sending furious e-mails to the Japanese Embassy on your way out of the theater. That's definitely true, but the effectiveness of The Cove also comes from its explosive cinematic craft, its surprising good humor and its pure excitement.
New York Magazine (Vulture) by David Edelstein
The end of The Cove is as rousing as anything from Hollywood. Manipulative? Sure--but isn't that fitting? Capitalism has driven an entire village to massacre dolphins and keep its work hidden.
The New York Times by Jeannette Catsoulis
Like the director's cover story, the movie is a Trojan horse: an exceptionally well-made documentary that unfolds like a spy thriller, complete with bugged hotel rooms, clandestine derring-do and mysterious men in gray flannel suits.
Wall Street Journal by Joe Morgenstern
The film makes its case graphically, to say the least, yet muddies its bloody waters with an excess of artifice and a dearth of facts.
Eco-activist documentaries don't get much more compelling than The Cove, an impassioned piece of advocacy filmmaking that follows "Flipper" trainer-turned-marine crusader Richard O'Barry in his efforts to end dolphin slaughter in Taiji, Japan.
The Cove's ultimate message gets muddled, especially since Psihoyos limits all counter-arguments to a few inarticulate or thuggish boobs.
Entertainment Weekly by Owen Gleiberman
The Cove is the rare documentary specifically designed as a thriller.
Rolling Stone by Peter Travers
The Cove plays like a thriller. It has the breathless pace of a "Bourne" movie, but none of the comfort of fiction. This is documentary filmmaking at its most exciting and purposeful.