70
If it hardly breaks any new ground either formally or politically, it's nevertheless a moving and highly professional affair, in which Brown and Thompson give particularly good performances.
What are people saying?
What are critics saying?
88
The Associated Press by Bob Thomas
Bruce Beresford had directed a flawless cast in a fascinating tale of court martial injustice during the Boer War. [19 May 1981]
88
Slant Magazine by Clayton Dillard
A time-jumping narrative that’s rooted inside the linear temporal unfoldings of a pre-determined trial, Breaker Morant is like a conventional bloke in art—house clothing—but oh, what garb he has.
50
The film handles difficult issues of wartime morality, with clear parallels to the American experience in Vietnam, but Beresford's direction is so placid, distanced, and methodical that the film never admits any doubt or debate; it tends to seal up the issues rather than liberate them.
70
A finely polished, stirring court-martial drama that retells the true story of three Aussie soldiers who are put on trial for the murder of Boer prisoners of war and condemned to death by the British, who hypocritically deny that they were acting on Kitchener's orders. [15 Sep 1980, p.104]
100
Intelligent and moving depiction of the futility of war with a superb script and mesmerising performances from all.
80
The New York Times by Janet Maslin
By the time it plays out its hand, this film has become genuinely, surprisingly affecting. And unspeakably sad.
60
Washington Post by Judith Martin
To present a simple progression from crime to trial to death, when a moral dilemma was promised, is a dramatic crime. [01 May 1981, p.19]