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Miss Pettigrew Lives for a Day

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United Kingdom, United States · 2008
Rated PG-13 · 1h 28m
Director Bharat Nalluri
Starring Frances McDormand, Amy Adams, Lee Pace, Ciarán Hinds
Genre Drama, Comedy, Romance

Guinevere Pettigrew, a middle-aged London governess, finds herself unfairly dismissed from her job. An attempt to gain new employment catapults her into the glamorous world and dizzying social whirl of an American actress and singer, Delysia Lafosse.

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What are critics saying?

50

Village Voice by

What makes Watson's novel a delight is its guilelessly homoerotic subtext. By downplaying that, the movie argues the case for Watson's innocent sensuality--and against its own worldly update.

70

Washington Post by Ann Hornaday

The film's flaws are nothing compared with the pleasures it offers, chiefly in its unapologetic pursuit of old-fashioned sweetness and romance.

50

Premiere by Glenn Kenny

Although McDormand's performance is consistently focused -- one would expect no less from the actress -- the movie itself can't settle on whether Miss Pettigrew is Mary Poppins minus the sugar spoonful or just plain Carrie Nation.

88

ReelViews by James Berardinelli

Adams shines brightly, reinforcing the image she projected in Junebug and enhanced in Enchanted and Charlie Wilson's War. At this time of the year, it's tough to find a more diverting way to spend 90 minutes in a multiplex.

58

Entertainment Weekly by Lisa Schwarzbaum

Adams, of course, is a peach. Her sparkle requires only minor character adjustment and twinkle recharging from her recent triumph as the old-fashioned modern heroine in "Enchanted."

75

Chicago Tribune by Michael Phillips

Style is a tricky, elusive thing, and this film doesn’t so much have it as strive for it, constantly. But something in Watson’s story endures: The wish-fulfillment truly satisfies. And with the war clouds gathering by story’s end, the fairy tale acquires a bittersweet edge, nicely cutting all that whipped cream.

58

The A.V. Club by Scott Tobias

In trying to recapture the spirit of classic '30s screwball comedies, the film too often mistakes manic energy for wit, and it ends on a note of gloppy sentimentality that wouldn't have held water in Old Hollywood.

70

Variety by Todd McCarthy

McDormand's performance slowly builds a solid integrity, and contrasts well with Adams' more flamboyant turn.

67

Seattle Post-Intelligencer by William Arnold

The film is lovely to look at -- so overflowing with lavish furniture, jewelry and interiors that it's almost like a visit to Paris' Musée des Arts Décoratifs. If you're a fan of such things, "Pettigrew" is worth seeing solely for its sets.

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