Clearly, the director was awash in his fantasies about lesbianism.
The Bitter Tears of Petra von Kant(Die bitteren Tränen der Petra von Kant)
✭ ✭ ✭ ✭ Read critic reviews
West Germany · 1972
2h 5m
Director Rainer Werner Fassbinder
Starring Margit Carstensen, Hanna Schygulla, Katrin Schaake, Eva Mattes
Genre Drama
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Petra von Kant is a successful fashion designer -- arrogant, caustic, and self-satisfied. She mistreats Marlene (her secretary, maid, and co-designer). Enter Karin, a 23-year-old beauty who wants to be a model. Petra falls in love with Karin and invites her to move in.
What are people saying?
What are critics saying?
A lesbian love triangle becomes a schema of sexual power plays in Rainer Werner Fassbinder’s most harshly stylized and perhaps most significant film.
Bitter Tears offers a sensory feast that’s expanded on by the elaborate dialogue, which is poetic even as translated into English, and by the astonishingly sensual and fluid movements of the actors and the camera.
The A.V. Club by Mike D'Angelo
It functions reasonably well as a straightforward, agonized melodrama, but it’s first and foremost a master class—co-taught by famed cinematographer Michael Ballhaus (Goodfellas, The Fabulous Baker Boys, Quiz Show), who got his start with Fassbinder—in the dynamic visual use of a constricted space, and proof that a tiny budget is no excuse.
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One of Fassbinder's best works, an incredible melodrama that harkens back to the Golden Age of Hollywood classics he is referencing, such as the work of Douglas Sirk, while still pushing the boundaries and telling a new, vital, and at times shocking story.