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Who We Are Now

Recently released from prison, Beth is working with her public defender to get her son back from her sister, who was awarded legal custody while Beth was incarcerated for ten years. Soon after, Beth forms an unlikely alliance with Jess, an idealistic young protégé of the public defense team, who decides to take on Beth's cause whether she likes it or not.
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WHAT ARE CRITICS SAYING?

70

Village Voice by

While Nicholson’s onscreen, it’s impossible to pay heed to anything but her. She scorches the film with her barely bottled ferocity and vulnerability.
91

IndieWire by David Ehrlich

Newton’s film knows that people are always going to be letting themselves (and each other) down, no matter how hard they try, and Nicholson’s unforgettable turn makes it impossible for us to forget it.
70

The Hollywood Reporter by Leslie Felperin

Newton’s storytelling is skittish and a bit too on the nose at times, but his palpable generosity toward his cast is rewarded with committed, passionate turns from the ensemble. However, Nicholson, a performer all-too seldom given a chance to lead, is the big door prize here, offering an intricately layered performance that lifts the whole film up a notch.
83

The A.V. Club by Mike D'Angelo

Newton’s screenplays still suffer from third-act problems — both "From Nowhere" and Who We Are Now conclude with an ironic twist that feels slightly cheap — but his dedication to fine-grained real-world complexity sets him apart from most indie filmmakers these days.
80

Los Angeles Times by Noel Murray

Every minute of this film is absolutely mesmerizing. It’s as if the stars are commanding the audience’s attention, knowing they may never get this kind of showcase again.
90

Variety by Scott Tobias

Newton has made a beautiful little film about sacrifice and redemption, and he earns it one tiny brushstroke at a time.

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