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City of Lies

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United Kingdom, United States · 2019
Rated R · 1h 52m
Director Brad Furman
Starring Johnny Depp, Forest Whitaker, Toby Huss, Dayton Callie
Genre Crime, Thriller

Los Angeles Police Department detective Russell Poole has spent years trying to solve his biggest case -- the murders of The Notorious B.I.G. and Tupac Shakur -- but after two decades, the investigation remains open. Jack Jackson, a reporter desperate to save his reputation and career, is determined to find out why. In search of the truth, the two team up and unravel a growing web of institutional corruption and lies.

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What are people saying?

What are critics saying?

80

We Got This Covered by

Impassioned, engaging and eloquently constructed, City of Lies has much more to offer than first meets the eye.

42

IndieWire by David Ehrlich

In practice, City of Lies is so understandably overwhelmed by the sprawling mystery at its core that it never figures out what to ask of either history or itself. Or how.

30

The New York Times by Jeannette Catsoulis

The look is grimy and the atmosphere is grim; but what could have been a moody character study or a taut conspiracy thriller is instead a dreary procedural, a misbegotten mush of flashbacks, voice-overs and dead ends.

70

The Hollywood Reporter by John DeFore

This is a compelling drama with real-world concerns that shouldn't be ignored, and it deserves better than to be the victim of an actor's offscreen sins.

50

Los Angeles Times by Noel Murray

As the piles of Biggie-related material has proven, it’s perhaps impossible to cover everything this story is really about in under two hours. City of Lies makes an honest effort but doesn’t get the job done.

40

Variety by Peter Debruge

The truth is out there, but when pot and kettle go to battle, Hollywood best be careful using the term City of Lies to describe anything other than itself.

75

Chicago Sun-Times by Richard Roeper

Still, in large part due to the stellar work from Depp and Whitaker, this is a valuable and somewhat illuminating look back at the senseless, stunning killings of two rap icons just six months apart.

50

Movie Nation by Roger Moore

The performances are solid, and the early scenes — recreating the crimes, etc. — are fascinating at a documentary level. Setting up the context is useful, a PD under a cloud and determined to avoid race riots that might return if dirty cops were in on all this. But the rabbit hole closed in for me about an hour in.

50

IGN by Zaki Hasan

Even as its ambitions are laudable in casting a wide net over a variety of societal ills, the film can’t quite muster the will to follow through on those ambitions and instead succumbs too often to cliche when complexity was required.

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