Henri “Papillon” Charrière, a safecracker from the Parisian underworld, is wrongfully convicted and sentenced to life imprisonment in the penal colony of French Guiana, where he forges a strong friendship with Louis Dega, a counterfeiter who needs his protection.
Hunnam and Malek both hold up their end of the deal. Noer, for his part, meets them halfway by conjuring golden-hued beauty for the jungle surroundings and a due griminess for the danker chambers of their holding compound. He doesn’t overcomplicate things for himself, keeping the clunky dialogue to a minimum and focusing on the guiding light of Papi’s indomitable willpower.
Noer isn’t interested in the pulpy, wannabe mythic journey of Papillon when there’s a meatier through-line highlighting our humanity in dire straits. Rather than make his film about how far our bodies can go, he seeks to portray the lengths are hearts will.
There’s no real voice in the storytelling, nothing distinctive about the imagery, if it’s not a doubling up on the violence and gore, and the result doesn’t remotely resonate in the same way.
The remake of Papillon doesn’t lack for potential metaphorical riches, yet this brutal, bruising film never quite connects with its deeper themes, resulting in a story full of suffering but not enough transcendence.
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Village Voice by Bilge Ebiri
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Washington Post by Michael O'Sullivan
Screen International by Tim Grierson