70
Kung Fu Yoga is a proudly silly cultural melting pot in which kung fu and Bollywood meet amicably.
What are people saying?
What are critics saying?
50
The New York Times by Andy Webster
A lively closing dance sequence, after an earnest, underwhelming climax, pays affectionate tribute to Bollywood production numbers. But you won’t find Mr. Chan’s customary bloopers over the closing credits.
58
The A.V. Club by Ignatiy Vishnevetsky
The absence of necessity or consistency has its appeal; it guarantees that the movie stays unpredictable even as it pilfers shamelessly, piling cliché upon cliché, but rarely in a way that makes a lick of sense.
70
The Hollywood Reporter by John DeFore
A good-natured cross-cultural romp in which you can barely be expected to take any human interaction seriously, save for those in which humans smack up against each other with force.
60
As the leading man, Chan keeps the ball rolling with an assortment of neat acrobatic tricks and martial arts sparring, but his days of life-risking physical exertion is over.
60
Los Angeles Times by Michael Rechtshaffen
By the time it all culminates in a Chan-led classic Bollywood production number, the cuteness factor may have been pushed to its limit, but good luck trying to stop that goofy smile from spreading across your face.
50
Screen International by Sarah Ward
An amiable, average-at-best caper-like quest remains just that, even with recognisable talent, and even more so when its combination of elements is clearly stretched.
25
RogerEbert.com by Simon Abrams
Kung Fu Yoga doesn't feel like a young man's film. Normally that would be a cause for celebration, but in this case, Chan's latest doesn't just address, but rather shows his age.
50
The movie’s best bits come when Tong’s script eases up on banter and clunky Indy homages and instead simply indulges in random zaniness.