Ariel has never understood why his father left him when he was a baby to fight in the Yom Kippur War in 1973. When his father returns to Buenos Aires, Ariel confronts him and discovers the reason behind his father’s decision, embarking on a complex journey in search of his personal and cultural identity.
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Director Daniel Burman examines the ways people cope with the passing of time, whether it's weary mall employees, a broken family or the diminishing Argentinean-Jewish community.
Argentinean writer-director Daniel Burman uses a shaky handheld camera and voice-over narration to take us inside Ariel's head, which gets a bit exhausting, even in the more emotionally satisfying second half.
Despite an absurdly melodramatic premise, Lost Embrace is an essentially plotless series of riffs and jokes. It's 20 minutes too long--forgivable in view of Burman's affection for his material.
It's in the brightly observed vignettes from mall-society life, captured with a low-key, on-the-run visual style, that Burman shows his best stuff and deadpan wit.
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