Based on the true story of composer and pianist Wladyslaw Szpilman, he is forced to fight for survival as a Polish Jewish man in Warsaw during the Nazi occupation. After being forced into the Warsaw Ghetto and separated from his family, Szpilman scavenges for food and shelter among the ruins of Warsaw to avoid being sent to a concentration camp.
This powerful, precision-made movie offers hope as well -- an act of kindness from a German officer that saves the pianists life, the music that sustains his soul.
Never before has a fiction film so clearly and to such devastating effect laid out the calculation of the Nazi machinery of death and its irrationality.
Szpilman takes to performing sonatas in thin air, eyes closed, those jittery fingers stroking nothing but air. It's a wonderful moment in a wonderful, ghastly film, and one of the most moving arguments for the redemptive powers of art ever made.
Through Brody's remarkably controlled, self-effacing performance, Polanski succeeds in making his hero an invisible man, but the sights he conjures are surprisingly artless and ordinary, familiar from a dozen other Holocaust dramas. Among the casualties in The Pianist is a great director's imagination.
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Newsweek by David Ansen
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TV Guide Magazine by Ken Fox
Entertainment Weekly by Lisa Schwarzbaum
Los Angeles Times by Manohla Dargis
Austin Chronicle by Marc Savlov
The A.V. Club by Scott Tobias
The New Republic by Stanley Kauffmann
Boston Globe by Ty Burr