A mother lives quietly with her son. One day, a girl is brutally killed, and the boy is charged with the murder. Now, it's his mother's mission to prove him innocent.
Its combination of dazzling cinematic craft, psychological insight and black humor make this one of the year's moviegoing musts -- and even or especially at her most deranged, Kim Hye-ja's amazing mother is profoundly, passionately human.
For all its jarring sound design and herky-jerky pacing, founded on sudden incidents or shocking accidents, Mother is deftly plotted, applying Hitchcockian suspense with a Hitchcockian sense of fair play.
The hard-pounding heart of Mother, Ms. Kim is a wonderment. Perched on the knife edge between tragedy and comedy, her delivery gives the narrative -- which tends to drift, sometimes beguilingly, sometimes less so -- much of its momentum.
Again as with Bong's earlier films, Mother is a genre exercise that honors convention, yet weaves around it whenever possible. Bong carefully turns Mother into a classic gumshoe tale, with red herrings, interrogations, and moments of sublime suspense.
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