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Kidnapping Mr. Heineken

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Netherlands, Belgium, United Kingdom · 2015
Rated R · 1h 35m
Director Daniel Alfredson
Starring Anthony Hopkins, Jim Sturgess, Sam Worthington, Ryan Kwanten
Genre Action, Crime, Drama, Mystery, Thriller

In 1983, five friends develop and execute a bold plan to kidnap beer tycoon Freddy Heineken, the grandson of the founder of the Heineken brewery. After Freddy is released for a ransom of 35 million Dutch guilders – the largest ransom ever paid for an individual – the kidnappers must deal with the aftermath of their crime.

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What are critics saying?

33

The A.V. Club by

Much like the lager that gives the film its name, Kidnapping Mr. Heineken is bland on the palette and best pissed away.

40

Village Voice by Aaron Hillis

Jim Sturgess, Sam Worthington, and True Blood's Ryan Kwanten co-star in this glossy, lifelessly paced edition as three of the criminals, though their underwritten personas and motivations are fairly interchangeable.

40

Arizona Republic by Bill Goodykoontz

The utter lack of surprises and waste of a first-rate cast — Anthony Hopkins as Alfred "Freddy" Heineken; Jim Sturgess and Sam Worthington as kidnappers — make for a tremendous letdown.

38

Slant Magazine by Carson Lund

For all the thematic emphasis the script ultimately places on the allegedly thick bonds among these men, it's surprising how often they communicate solely through exposition.

42

The Playlist by Kevin Jagernauth

Kidnapping Mr. Heineken never conveys how a bunch of working stiffs transformed themselves into a coiled — if scrappy and ragtag — criminal operation.

40

The Dissolve by Nathan Rabin

Kidnapping Mr. Heineken isn’t a comedy of incompetence, or the psychological battle of wills its opening scene suggests. It’s hard to see exactly what the filmmakers were going for, beyond bringing a real-life story to the big screen as dutifully and dully as possible.

75

Observer by Rex Reed

Anthony Hopkins plays the king of the hops, and he is excellent. So is the rest of the movie, a sober, no-frills account about the highest ransom ever collected up to that time — $10 million and counting.

50

Movie Nation by Roger Moore

It’s a good looking film, just a tad on the dull and predictable side. But the occasional flash of Hopkins threatens, at several moments, to turn this formulaic true-heist tale into something more psychological, more pathological or at least allegorical. He isn’t really given the chance.

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