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Haute Cuisine(Les saveurs du Palais)

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France · 2012
Rated PG-13 · 1h 35m
Director Christian Vincent
Starring Catherine Frot, Arthur Dupont, Jean D'Ormesson, Hippolyte Girardot
Genre Comedy, Drama

Hortense Laborie, a renowned chef from Périgord, is astonished when the President of the Republic appoints her his personal cook, responsible for creating all his meals at the Élysée Palace. Despite jealous resentment from the other kitchen staff, Hortense quickly establishes herself, thanks to her indomitable spirit.

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What are critics saying?

67

The A.V. Club by A.A. Dowd

Narrowness of focus keeps the movie from becoming bloated with self-importance, but it also leaves it feeling a little inconsequential.

38

Slant Magazine by Chris Cabin

Offers all the ingredients for a great feast of enticing visions and thematic concerns, only to have them be prepared, plated, and served with the grace of Elmer Fudd.

80

Village Voice by Chuck Wilson

Writer-director Christian Vincent and co-writer Étienne Comar, aided by Frot's quiet intensity, imbue Hortense's quest to pull off culinary miracles with an urgency that's almost absurdly compelling, and all the more entertaining for it.

80

Wall Street Journal by John Anderson

"Witty and brisk" is not the name of a French breakfast cereal, but it does describe a certain brand of French film, the type that coquettishly flirts with comedy while sprinting in the direction of dry, sophisticated charm. Such is Haute Cuisine.

67

The Playlist by Kimber Myers

Unfortunately, the film itself is so determinedly middle-brow with little to dislike other than how eager it is to please and how wary it is of offending. Unlike Hortense’s flavorful cooking, Haute Cuisine is aggressively bland.

50

The New York Times by Nicolas Rapold

As flatly directed by Christian Vincent, Haute Cuisine is a reserved, très simple tale that raises the occasional smile and tummy rumble but keeps hiccuping because of the drawn-out parallel story about her subsequent tour of duty.

40

Time Out by Stephen Garrett

The film’s Antarctic framing device (wait, what?) feels unearned and distracting, regardless of its veracity. But there’s plenty to behold, including a killer Gâteau Saint-Honoré.

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