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Quietly intelligent and respectable.
The New Yorker by
The movie is so discreet and respectful that, outside the classroom, within whose walls the glory of French literature and language triumph, it never quite comes to life. [16 April 2012, p. 86]
New York Magazine (Vulture) by
Ineffably sad - yet there's almost no loitering. The film is crisp, evenly paced, its colors bright, as sharp as the winter cold.
Time Out by
Fellag does for the film what his Lazhar does for the pupils: He's soothing and entrancingly enigmatic enough to keep us fixed to our seats.
The Globe and Mail (Toronto) by
It's an exquisite, humanistic and subtly topical work of cinema art that manages to keep the intimate, revelatory sensibility of a one-man play intact while fleshing out the characters and creating a very realistic and richly detailed school community.
Slant Magazine by
There's great potential for the kind of issues that are taken on, but nothing is resolved, and the biggest questions, of guilt and shame, the gulf of understanding between the first world and the third, remain unengaged.
Boxoffice Magazine by
The kids, especially Néron and Nélisse are irresistible and supporting players are well-cast. Human dramas like Monsieur Lazhar are a rare breed these days and this exceptional example is one to be cherished.
Miami Herald by
Monsieur Lazhar doesn't send you home depressed. Instead, the film leaves you hopeful, and even exhilarated, that even the most painful wounds can sometimes heal.
From the most unexpected place, come a new call for peace
A woman embarks on a redemptive journey back from life's darkest edge.
Two names. One truth. A whole life ahead.
As Arletty suddenly becomes seriously ill, Marcel's path crosses with an underage illegal immigrant from Africa, who needs Marcel's help to hide from the police.
Behold, magic is in your soul...