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The Party

Various individuals think they’re coming together for a party in a private home, but a series of revelations results in a huge crisis that throws their belief systems – and their values – into total disarray.
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WHAT ARE CRITICS SAYING?

80

Variety by Guy Lodge

Slight and self-contained, it won’t go down in cinema history as anything but, perhaps, the most purely fun film ever made by peculiar British experimentalist Sally Potter.
75

The Playlist by Jessica Kiang

There is an energy to The Party, and a kind of rejuvenating bouncy glee that we haven’t seen from Potter in a long time. And after “Ginger and Rosa,” a film that felt better directed than it was written, being undermined by some very stilted dialogue, the fact the Potter also wrote the screenplay here comes as another pleasant surprise.
80

CineVue by Patrick Gamble

It's a curt, nasty and deftly acted chamber piece high on laughs and savagery about frustrated idealism and how little it takes to make society fall to pieces.
80

The Guardian by Peter Bradshaw

Unassuming and old-fashioned funny entertainment isn’t exactly what we associate with this film-maker, but that’s what she has very satisfyingly served up here. It’s not especially resonant or profound but it is observant and smart, with some big laughs in the dialogue. The whole thing is enjoyably absurd though not precisely absurdist.
80

Empire by Phil de Semlyen

Patricia Clarkson steals the show, but everyone in Potter’s gifted cast gets their moment to shine in a sharp-edged, claustrophobic parlour piece that puts the boot into middle-class mores.
80

Total Film by Tom Dawson

Enjoyably acted by a fine ensemble cast, it crisply skewers the hypocrisies of its left-liberal, middle-class characters.

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